'A jumbo mess of warped notions and random ambition, Why Cheat India trivialises education and shows sympathy for deceit,' says Sukanya Verma.
Tara-Arjun promote their film... Kartik meets Ashutosh Gowariker... Hansika is on a dinner date...
Stars share their throwback pictures and takes us in flashback with them.
To ensure transparency, the Third Eye Cinema Fund has roped in various agencies as auditors and advisors.
Indian films, and Raj Kapoor in particular, have a special place in Iranian cinephilia or cinemadoosti, Ranjita Ganesan discovers on a visit to Iran.
Nobody does ethnic chic as well as D-Pad!
'After the trailer was out, people felt it did not look like ancient India, but how much you do know about Mohenjo Daro? We have found certain coins and objects like a dancing girl, a bearded man... it is difficult to create a world based that only. There are certain things that you have to imagine.' Mohenjo Daro actor Nitish Bhardwaj defends his film.
'Panipat has all the meat for a political drama meets war movie. But in Ashutosh Gowariker's failure to process its complexity, the material never rises beyond a mediocre hurray to the Maratha manoos,' says Sukanya Verma.
A classic case of bad editing and worse dialouge, Beauty and the Beast certainly is not a children's film, says Paloma Sharma.
Sukanya Verma shares her exciting filmi week with us!
'Ashutosh Gowariker's Mohenjo Daro does what many history books could not have done.' 'He awakens interest in the ancient civilisation of Harapppa and Mohenjo Daro,' says Asim Siddiqui.
Hrithik Roshan on bouncing back as he returns to the marque with his snazzy actioner Bang Bang.
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